Residences

Rooms that were already here.

We did not invent these proportions. We uncovered them, and then made them somewhere to live.

Rhode Island506 homes heldBuy & hold
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Ceilings you can no longer buy new.

A residential floor built today is priced by the square metre and finishes at the ceiling of a Ford Transit. These floors were laid to light a hundred looms without electricity: the windows run to twelve feet, the light reaches the far wall at four in the afternoon, and the timber overhead was sized for machines that shook. Nothing about this specification would clear a modern development appraisal. It exists because it already existed — and because a family office decided, one building at a time, that the standard the mills were built to was worth keeping.

Restored mill bay with arched windows, morning light on polished concrete

The five buildings.

506 homes · five addresses · all held

250homes

Wanskuck Mill

Providence

Loft apartments and three commercial units inside an 1862 worsted mill.

120homes

Roosevelt Mill

Central Falls

South-facing homes above the Blackstone, in the district that gave the town its name.

100homes

Federal Hill

Providence

Neighbourhood-scale housing in the city’s Italian quarter.

19homes

229 Waterman

East Side, Providence

Glass and sky decks, with the only year-round rooftop in the state above.

17homes

60 Crompton

East Greenwich

Clapboard homes among lawns, a short walk from Greenwich Bay.

Wanskuck Mill · morning

Typologies

Studio

from 563 sq ft

One room, one window wall, a full kitchen and laundry inside the apartment.

One bedroom

from 819 sq ft

Bedroom held off the living room; timber above, brick behind.

Two bedroom

from 1,100 sq ft

Corner plans with arched mill windows on two elevations.

Penthouse

to suit

Upper-floor residences with private sky decks — 229 Waterman only.

Loft interior with exposed brick and tall arched windows above the Blackstone

Roosevelt Mill, Central Falls

Materials that finished themselves.

Brick that has been settling for a hundred and sixty years develops a colour a paint chip cannot approximate. Timber sized for a jacquard loom bevels itself at the corners where the machines rubbed. Concrete poured against a plank form keeps the wood grain in negative long after the plank is gone. Money does not buy any of that.

Our part of the work is the restraint: cleaned, repointed, sealed — never boarded, never painted white, never rendered smooth. What time did to the building, we leave in view.

229 Waterman · East Side

Loft kitchen at Wanskuck Mill, morning sun on polished concrete

Wanskuck Mill, Providence

A day here begins with the light.

The mill floors face south for a reason a spinner knew before an architect did. By seven the sun has cleared the roofline opposite and set a bright rectangle on the concrete; by four it has crossed to the far wall and gone amber against the brick. In February the calendar shifts by an hour; the geometry does not change.

You notice, after a fortnight, that you stop turning the lights on until dusk. It is the single feature the reviews return to and the one impossible to convey in a plan — the room does not lack light, so nothing you add to it feels like it is trying too hard.

Roosevelt Mill · late afternoon

Glass wall and terrace at 229 Waterman, East Side of Providence
Living room at Roosevelt Mill with sputnik light and mill windows
Living room at 60 Crompton with a view toward Greenwich Bay

Luxury here is not marble. It is what the room already is.

Mare Rooftop · blue hour, above 229 Waterman

A building we would not live in is a building we do not buy.
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